On its surface, Elizabeth Swados’ Runaways seems like the sort of musical that would be a perfect fit for an Encores!-style concert presentation.
Category: Look Over Yonder See Them OFF-BROADWAY Lights
The Fallower
Liza Birkenmeier’s The Hollower exemplifies a new playwright in desperate need of a dramaturg to focus her wild and wildly-dissonant ideas into a cohesive whole.
LONG DAY’S JOURNEY INTO the Same Boring Revivals
Dear Royalty of the Stage and Screen:
Continue reading “LONG DAY’S JOURNEY INTO the Same Boring Revivals”
A BRIEF HISTORY OF WOMEN (Brits Off Broadway)
Click here to read my review of Alan Ayckbourn’s A Brief History of Women, part of 59E59’s Brits Off Broadway festival.
THE SEAFARER (Irish Repertory Theatre)
Pro: Unlike a lot of other stars who only agree to appear in the same old classics, Matthew Broderick actually uses his commercial clout to sell tickets to more unconventional material.
Ungentlemanly Callers
I don’t feel comfortable reviewing the Abingdon Theatre Company’s production of Philip Dawkins’ The Gentleman Caller because one of my friends holds up half of this new two-hander.
When Devised is Too Devised
The Birds immediately impresses with a uniform style that’s anything but uniform, pulling off the tricky combination of quirky esotericism.
Bring Back the Plaque
The following request would probably be more appropriate — and potentially more effective — on Twitter, but it’s a cause too near and dear to my heart to relegate to the trenches of social media discourse.
Me and My Random Thoughts
Me and My Girl, the final production of this Encores! season, is very…Encores!
An “Original” Postscript
I concluded my recent post about expanding our conception of artistic originality by quoting, gulp, Kanye West.
Write All Nite 