I’ve been feeling some withdrawals of late, so time to shoot some more of 2018’s catchiest songs into my (fucking) veins!
Continue reading “2018’s SHOOT IT STRAIGHT INTO MY FUCKING VEINS List — March-April”
I’ve been feeling some withdrawals of late, so time to shoot some more of 2018’s catchiest songs into my (fucking) veins!
Continue reading “2018’s SHOOT IT STRAIGHT INTO MY FUCKING VEINS List — March-April”
An unremarkable week in music, with not much to remark on for each album:
A concept album with a brilliant concept.
Continue reading “REVAMP & RESTORATION: Reimagining the Songs of Elton John and Bernie Taupin”
A packed week in music, and yet I only got around to listening to two of the SEVEN albums on my list.
Besides The Weeknd’s My Dear Melancholy — which I wrote about here — it’s been a subpar week in music. As always, the following albums are ranked in order of my personal preference:
Most people judge an artist based on their most popular work, their claim-to-fames, their fallback style, what they excel at the most.
I recently tweeted that Apple Music, Spotify, and the like should really list the credited producers of every song alongside the customary “name artists”.
We Beefin? is a Nicki Minaj/Cardi B wannabe.
Love, Simon’s soundtrack provides a window into where the movie comes up short.