David Cale’s last two plays feel like companion pieces, about artists whose interrelated thirst for companionship and literary inspiration bleeds the porous psychic boundaries between their personal lives and their art.
Continue reading “Goliath”
Tag: New York City Serenades
For the Records
Who is Every Brilliant Thing about?
Continue reading “For the Records”
Non
Spit&vigor’s Anonymous is the sort of Alcoholics Anonymous art that Playwrights Horizons’ The Dinosaurs challenges.
Continue reading “Non”
We’re Going Breaking
Midwinter Break is what I like to call a city-travelogue romance.
Continue reading “We’re Going Breaking”
Talked to Death
Hate Radio is Jonathan Glazer’s The Zone of Interest for the Rwandan genocide.
Continue reading “Talked to Death”
Two in One
The Goat Exchange revels in intentional technical difficulties.
Continue reading “Two in One”
Dischorus
What operates as the Greek chorus in Alexander Zeldin’s The Other Place?
Continue reading “Dischorus”
On the Bill
Despite the fact that he runs his own theater, I still associate Bill T. Jones with the opulent grandeur of Lincoln Center, City Center, BAM, etc.
Continue reading “On the Bill”
Stepback
Spoofs testify to the greatness of their subjects.
Continue reading “Stepback”
Rogers is Plural
I’ve already labeled Jasmine Amy Rogers as the rare theater chameleon.
Continue reading “Rogers is Plural”
Write All Nite 