Is it too late to share my favorite pieces of art released in 2018?
Is it too late to share my favorite pieces of art released in 2018?
If New York theater in December is for tourists, then January is for us diehards.
Continue reading “January NYC Experimental Theater Festival Roundup”
One of the loudest drums I’ve beaten for the longest is my steadfast belief that live theatre and horror are a match made in Heaven.
Mike Nichols cracked Neil Simon’s theatrical code by rewriting how it was staged.
In my ever-expanding quest to cover on these here Write All Nite pages EVERY show I see, productions from one of the most prominent off-Broadway theatres will always be left outside of this scope.
Try to follow me on this one:
Little Rock, now playing at off-Broadway’s Sheen Center for Thought & Culture, ostensibly chronicles the trials and tribulations of the Little Rock Nine, the first nine black students to integrate, amid relentless resistance, at Arkansas’ Little Rock Central High School in 1957.
The 2017-2018 Broadway season was the most turgid in recent memory.
Continue reading “Broadway Rocks? More like Broadway Summerstock”
My favorite theatrical experiences leave me with the exhilarating rush of wonder that accompanies a brain wrapping itself around a trailblazing piece of art, a feeling that can actually be summed up in the Williamstown Theatre Festival’s preferred acronym’d nomenclature.
ONE of the many subjects explored in Dangerous House — rising star Jen Silverman’s new play, marking her return to the Williamstown Theatre Festival after last summer’s superior two-hander The Roommate — could serve as a potent enzyme to catalyze a compelling drama.