Dear Royalty of the Stage and Screen:
Continue reading “LONG DAY’S JOURNEY INTO the Same Boring Revivals”
Dear Royalty of the Stage and Screen:
Continue reading “LONG DAY’S JOURNEY INTO the Same Boring Revivals”
Click here to read my review of Alan Ayckbourn’s A Brief History of Women, part of 59E59’s Brits Off Broadway festival.
Pro: Unlike a lot of other stars who only agree to appear in the same old classics, Matthew Broderick actually uses his commercial clout to sell tickets to more unconventional material.
I don’t feel comfortable reviewing the Abingdon Theatre Company’s production of Philip Dawkins’ The Gentleman Caller because one of my friends holds up half of this new two-hander.
The Birds immediately impresses with a uniform style that’s anything but uniform, pulling off the tricky combination of quirky esotericism.
The following request would probably be more appropriate — and potentially more effective — on Twitter, but it’s a cause too near and dear to my heart to relegate to the trenches of social media discourse.
Me and My Girl, the final production of this Encores! season, is very…Encores!
I concluded my recent post about expanding our conception of artistic originality by quoting, gulp, Kanye West.
Back in 2016, there was a concert performance of Ragtime inside the Registry Room on Ellis Island.