Category: Look Over Yonder See Them OFF-BROADWAY Lights
“Original” Scores
For a movie or show to be nominated for Best Score at the Oscars or Tony (or any other offshoot) Awards, the music written for it must be predominantly original.
Adam Rapp’s THE EDGE OF OUR BODIES (TUTA Theatre @ 59E59)
To adequately express the extremity of their ardent adoration for a particular performer, theatergoers often fall back on the following familiar formulation:
Continue reading “Adam Rapp’s THE EDGE OF OUR BODIES (TUTA Theatre @ 59E59)”
PARTY FACE, and the Commercial State of Off-Broadway Plays
This season’s productions of 21st Century Bluesand Party Face represent two sides of the same coin, reflecting the current state of the commercial landscape for off-Broadway plays.
Continue reading “PARTY FACE, and the Commercial State of Off-Broadway Plays”
My 3 Favorite Off-Broadway Theatres
Last week, I mentioned how most people judge artist’s based on their best work, while I tend to prioritize range in a more holistic approach.
DINNER WITH GEORGETTE (Next Door @ NYTW)
Next Door at New York Theatre Workshop’s production of Dinner with Georgette is basically Tony Kushner gone wrong.
P.S. 2ST
Since I never like to judge anything until experiencing that thing firsthand, I thought twice before publishing this article back in 2017, which bemoans Second Stage’s decision to renovate the perfectly-fine HELEN Hayes Theatre, their new home on Broadway.
A New News Roundup
Three pieces of news were announced this week that inspired responses too long to be Twitter-length, but still not meaty enough to warrant their own pieces. Thus, enjoy this written roundup:
Write All Nite 