In honor of School Girls; Or, the African Mean Girls Play returning to MCC, read my thoughts on the original run here and here.
One of the loudest drums I’ve beaten for the longest is my steadfast belief that live theatre and horror are a match made in Heaven.
Mike Nichols cracked Neil Simon’s theatrical code by rewriting how it was staged.
In my ever-expanding quest to cover on these here Write All Nite pages EVERY show I see, productions from one of the most prominent off-Broadway theatres will always be left outside of this scope.
Try to follow me on this one:
Little Rock, now playing at off-Broadway’s Sheen Center for Thought & Culture, ostensibly chronicles the trials and tribulations of the Little Rock Nine, the first nine black students to integrate, amid relentless resistance, at Arkansas’ Little Rock Central High School in 1957.
Write All Nite’s been all quiet on the news front of late.
The Royal Court’s here, and these Brits have some things to say, mostly damning, about men.
Radio plays are back, baby!
Every time I see a one-person play, it’s hard not to evaluate the form as a whole through the prism of each individual take on it.