David Lynch is the most over-cited comparison in cinema.
Continue reading “Screen as Intermediary”
David Lynch is the most over-cited comparison in cinema.
Continue reading “Screen as Intermediary”
Here’s another doubling involving Days of Wine and Roses’ angular-roof set:
Continue reading “No Place Like Home”
“Tunnel of Love” is a deeper cut in Bruce Springsteen’s catalogue, especially for Challengers’ youthful demographic.
Continue reading “Just the Three of Us”
The notion that Broadway is the best of theater’s best is bullshit.
Continue reading “Praying on Doubt”
Late Night with the Devil is one of three recent movies that give habitual character actors the rare opportunity to showcase their leading role chops.
Continue reading “New Characters, Same Actors”
A character actor in a leading man’s body.
Continue reading “Brad & Dan”
Late Night with the Devil has an infinitely-replicable concept.
Continue reading “Infinights”
There’s a fine line between a reoccurring motif and rehashed recycling.
Continue reading “Good Greif”
Not all product placement is out of order.
Continue reading “PP”
It’s damn-near impossible to determine the best seats in a given theater without knowing how a production is staged.
Continue reading “Seating in the Square”