If you ask me why a title was chosen to be the primary label for a piece of art, I can scrounge together too many connections between the titular word/phrase and the art’s content.
Continue reading “Heteronymity”
If you ask me why a title was chosen to be the primary label for a piece of art, I can scrounge together too many connections between the titular word/phrase and the art’s content.
Continue reading “Heteronymity”
For a variety of legitimate reasons, the documentary industry believes we’ve entered into a post-boon theatrical swoon.
Continue reading “Alt-Docs 2023”
2024 will belong to Bertrand Bonello.
Continue reading “Non-Narrative Narratives”
Menus-Plaisirs – Les Troisgros is a two-centuries-later, documentary sequel to The Taste of Things.
Continue reading “Gourmand”
If you plan to see — and you should — Public Obscenities at Theatre for a New Audience before it closes on Sunday, then take my experienced advice:
Continue reading “Right is Right”
Now that American Fiction is a Best Picture-nominated hit, can Hollywood adapt another Percival Everett novel that’s even more explicitly set in the world of the movies?
Continue reading “Don’t Not Do It”
The new movie River is an 86-minute formal experiment.
Continue reading “Is A Dream A Lie If It Repeats Itself?”
Ennio Morricone is having a New York moment.
Continue reading “Maestro”
If you plan to see Taylor Mac’s Bark of Millions this week, it would be wise to primer yourself beforehand.
Continue reading “Words to the Wise”