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Bookending Borders

On December 29, 2018December 30, 2018 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

One of my favorite non-English-language films of the year deserves not one, but TWO posts dedicated solely to it.

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Album Roundup: Dec. 21-27

On December 27, 2018December 27, 2018 By Steven StraussIn The Food of LoveLeave a comment

The penultimate roundup of 2018!

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A Troll of a Different Color

On December 25, 2018December 26, 2018 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Damn near every year brings yet another installment in the age-old critical debate regarding how to define a horror movie.

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Album Roundup: Dec. 14-20

On December 19, 2018January 3, 2019 By Steven StraussIn The Food of LoveLeave a comment

🎶 Spiderman, Spiderman, does whatever a spider can...🎶

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A New-Wave Fool in the Classic Tradition

On December 18, 2018 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Nobody should be fooled by Nobody’s Fool’s marketing campaign.

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Album Roundup: December 7-13

On December 14, 2018 By Steven StraussIn The Food of LoveLeave a comment

For the first time in forever, I got around to every “major” release this week.

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2018’s SISIMFV List — Acronymity

On December 13, 2018 By Steven StraussIn The Food of LoveLeave a comment

Same series, new name.

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Album Roundup: November Cleanup

On December 5, 2018December 6, 2018 By Steven StraussIn The Food of LoveLeave a comment

The lengthiest roundup yet:

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2018’s SHOOT IT STRAIGHT INTO MY FUCKING VEINS List — Overload

On December 4, 2018December 4, 2018 By Steven StraussIn The Food of Love1 Comment

I’m back! And thirstier than ever:

Continue reading “2018’s SHOOT IT STRAIGHT INTO MY FUCKING VEINS List — Overload” →

Actors-Turned-Fauxteurs

On November 16, 2018November 16, 2018 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Mid90s falls in the unfortunate middle ground between what an artist thinks will be cinematically cool, and what’s actually cinematic, and cinematically well-executed.

Continue reading “Actors-Turned-Fauxteurs” →

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