There’s a contradiction at the heart of one-person plays about trauma.
Continue reading “Intentionally Mala”
There’s a contradiction at the heart of one-person plays about trauma.
Continue reading “Intentionally Mala”
And now, we return to one of Write All Nite’s favorite concepts: deliberately-ineffectual art that serves the art’s ultimate effect.
Continue reading “Who Killed My Distance”
For theater geeks of a certain age, Which Way to the Stage is as reflective as art gets.
Continue reading “Which Way Back to Me”
A musical version of Romeo and Juliet.
Continue reading “Circling the Drain”
The dramaturgy of A Case for the Existence of God’s staging doubles as existential philosophy.
Continue reading “A Case for the Existence of Perspective”
Should abstract art clarify the abstraction so that audiences can cohere it into some sort of comprehensible whole?
Continue reading “Start Making Sense by Stop Making Sense”
Lyrics can be open to multiple interpretations that change their meaning.
Continue reading “In Good Company”
Remember when two different theater companies simultaneously decided to stage (restage?) James Baldwin and William Buckley’s 1965 debate?
Continue reading “Toils and Troubles”
A window into how my brain works:
Continue reading “High and Low”
Remember my obsession with the corporeal simplicity of The Ocean at the End of the Lane’s final image?
Continue reading “Stay Up”