I’ve been thinking a lot about the difference between a playwright’s voice and a play’s voice.
I’ve been thinking a lot about the difference between a playwright’s voice and a play’s voice.
Welcome to BETRAYED!, a week’s worth of diatribes inspired by the current Broadway revival of Harold Pinter’s Betrayal.
The title of Imagining Madoff — now running at Theatre Row, courtesy of New Light Theater Project — describes both the play’s mission and its titular subject’s preferred activity, a duality that probes the similarities between Bernie’s famed — infamous? — misdeeds and the nature of historical storytelling in art.
How is Ralph Fiennes, one of the best actors in the world, not getting offered better roles than Official Secrets?!
My favorite Broadway musical of the 2018-2019 season: Choir Boy.
My complete recap of the 2018-2019 theatre season:
My recap thus far of the 2018-2019 theatre season:
Continue reading “2018-2019 Theatre: Broadway, Play Categories”
My recap thus far of the 2018-2019 theatre season:
Continue reading “2018-2019 Theatre: Broadway, Musical Categories”
I finally saw What the Constitution Means to Me on Broadway! Which means:
Continue reading “2018-2019 Theatre: Broadway, Miscellaneous Categories”
Rinse, Repeat‘s Playwrights Note explains why the story’s focal point should be the mother, not the daughter: