In the wake of the Signature Theatre’s revival of Twilight: Los Angeles, 1992, much has been made about the racial implications of turning a one-person Anna Deavere Smith play into a multi-cast affair.
Continue reading “Obscurity and Ambiguity”
In the wake of the Signature Theatre’s revival of Twilight: Los Angeles, 1992, much has been made about the racial implications of turning a one-person Anna Deavere Smith play into a multi-cast affair.
Continue reading “Obscurity and Ambiguity”
Back to my favorite gimmick: imagined double features!
Continue reading “Double Features”
Hypothesize and ye shall receive.
Seriously, what were y’all doing in the ’80s:
How do you solve a problem like this year’s Pulitzer Prize for Drama?
Look what waltzed across the ticker this morning:
My recap of the 2019-2020 theatre season:
My picks for the 2020 Pulitzer Prize for Drama:
Since Broadway’s not opening any time soon, let’s recap the abbreviated season that was: