Leave it to The Civilians to create the greatest program note…ever?
Leave it to The Civilians to create the greatest program note…ever?
And now, back to your regularly-scheduled programming: the big finish to my Cyprus Avenue trilogy!
Continue reading “A Walk on the Pedantic Side Up ‘Cyprus Avenue’”
Ever since Donald Trump stormed the White House, basically every major news outlet has spent valuable time and resources exploring the psychology of his voters.
Continue reading “A Walk on the Wild Side Down ‘Cyprus Avenue’”
In his bio for his new musical Half Time, choreographer-cum-director extraordinaire Jerry Mitchell particularly highlights his two past pieces of Tony Award-winning work: the most recent Broadway revival of La Cage Aux Folles, and the runaway hit Kinky Boots.
In the second act of Half Time, Donna McKechnie delivers what’s basically a modern-day version of her Tony Award-winning solo performance of “The Music and the Mirror”, right on down to the mirrors serving as her backdrop.
Jim Parsons is finally turning into a good actor!
Continue reading “Parsing the Career of Jim Parsons (Briefly)”
On its surface, Elizabeth Swados’ Runaways seems like the sort of musical that would be a perfect fit for an Encores!-style concert presentation.
Liza Birkenmeier’s The Hollower exemplifies a new playwright in desperate need of a dramaturg to focus her wild and wildly-dissonant ideas into a cohesive whole.
Dear Royalty of the Stage and Screen:
Continue reading “LONG DAY’S JOURNEY INTO the Same Boring Revivals”
Click here to read my review of Alan Ayckbourn’s A Brief History of Women, part of 59E59’s Brits Off Broadway festival.