Every time I see a one-person play, it’s hard not to evaluate the form as a whole through the prism of each individual take on it.
Every time I see a one-person play, it’s hard not to evaluate the form as a whole through the prism of each individual take on it.
Comedy might be the hardest genre to review.
I want to see Kathleen Marshall’s The Royal Family of Broadway.
Continue reading “A Royal Family in Search of Broadway Majesty”
Leave it to The Civilians to create the greatest program note…ever?
And now, back to your regularly-scheduled programming: the big finish to my Cyprus Avenue trilogy!
Continue reading “A Walk on the Pedantic Side Up ‘Cyprus Avenue’”
Ever since Donald Trump stormed the White House, basically every major news outlet has spent valuable time and resources exploring the psychology of his voters.
Continue reading “A Walk on the Wild Side Down ‘Cyprus Avenue’”
In his bio for his new musical Half Time, choreographer-cum-director extraordinaire Jerry Mitchell particularly highlights his two past pieces of Tony Award-winning work: the most recent Broadway revival of La Cage Aux Folles, and the runaway hit Kinky Boots.
In the second act of Half Time, Donna McKechnie delivers what’s basically a modern-day version of her Tony Award-winning solo performance of “The Music and the Mirror”, right on down to the mirrors serving as her backdrop.
Jim Parsons is finally turning into a good actor!
Continue reading “Parsing the Career of Jim Parsons (Briefly)”
On its surface, Elizabeth Swados’ Runaways seems like the sort of musical that would be a perfect fit for an Encores!-style concert presentation.