If A Quiet Place was a play, I would say it’s in desperate need of a dramaturg to devise richer dramatic manifestations of the aural concept.
If A Quiet Place was a play, I would say it’s in desperate need of a dramaturg to devise richer dramatic manifestations of the aural concept.
I got around to only two albums this week, one great and one…not so great:
I concluded my recent post about expanding our conception of artistic originality by quoting, gulp, Kanye West.
Back in 2016, there was a concert performance of Ragtime inside the Registry Room on Ellis Island.
In case yesterday’s esotericism didn’t make this clear, let me state simply for the record: Steven Soderbergh’s Unsane is my favorite movie of 2018 thus far.
Continue reading “The Theatricality of Reality’s Surreality”
Steven Soderbergh’s Unsane is a Kafka-esque, capitalist nightmare for the iPhone age, injected with Brechtian aesthetics to convey the 21st century’s pervasive, conflicting distortions of reality sitting in our pockets every day.
J. Cole’s KOD won’t be included in this roundup because I’ve got more to say about it than would be appropriate for these brief snippets.
It’s considered a faux pas in critical circles to suggest how a show could improve.