I love finding old theatres hidden amongst the concrete buildings – and often in them, usually down dusty hallways and up gorgeous flights of stairs (or vice versa) – that comprise the jungle of New York City.
I love finding old theatres hidden amongst the concrete buildings – and often in them, usually down dusty hallways and up gorgeous flights of stairs (or vice versa) – that comprise the jungle of New York City.
I’m sad that A$AP Mob replaced Cozy Tapes, Vol. 1: Friends‘ refreshingly-throwback Wu-Tang-esque sound with overly-prevalent trap for Vol. 2: Too Cozy.
Rapper Kevin Gates’s two By Any Means albums oscillate between being reminiscent of old school T-Pain and DMX.
Trippie Redd’s album A Love Letter to You 2 is basic, but this banger is BANGING:
Lil Pump’s recently-released self-titled mixtape would’ve made a better EP at half the length, cutting out the repetitive tracks to shine even more light on his Run the Jewel-lite productions (albeit with worse vocals than that duo’s delicious stylings).
Amanda Chicago Lewis wrote an article worth reading for Rolling Stone about the vape pen phenomenon TAKING THE NATION BY STORM AND INFECTING POOR CHILDREN EVERYWHERE WITH LIFE-ENDING MARIJUANA RIGHT UNDER OUR VERY NOSES.
Besides AAAAAAAll the obvious reasons, I’m so looking forward to Springsteen on Broadway because I’ll finally be able to read my beloved theatre critics writing about the Boss.
Continue reading “IT ME”
Documentary filmmaking possesses a high floor in regards to the consistent quality of even its weakest offerings, largely because the subjects are almost always compelling enough to justify a feature-length examination. And yet, the genre simultaneously suffers from perhaps the most monotonous output as well due to most utilizing the same-old aesthetics.
Continue reading “Marvelous Documentaries vs. Marvel-ish Documentaries”
Mark Harris’ Five Came Back is one of the best books ever written about the film industry. Unfortunately, the conventional Netflix documentary adapted from it bears none of the formal inventiveness so integral to the success of the source material.