Dear Second Stage: WHYYYYYYY?!?!

The Sparknotes version of the essential background information that you need to understand my impending temper tantrum: one of the best off-Broadway, nonprofit theatre companies – Second Stage (2ST) – recently upped their digs to the Great White Way by buying the Helen Hayes Theatre, the smallest on Broadway and thus perfectly suited for plays and more intimate musicals. For anyone who bemoans the lack of new plays on Broadway, this is objectively a stupendous development because 2ST has long been devoted to exclusively producing such work (they also stage new musicals like Next to Normal and Dear Evan Hansen, but despite the superior quality of these, I just can’t be AS excited about the prospect of more always-prevalent new musicals on the Great White Way). To quote lyrics from the former musical: “It’s gonna be good/It’s gonna be good/It’s gonna be great/It’s gonna be fucking great!” Or is it?

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Tales of the American Heart(land)

Amidst the seemingly endless array of doomsday scenarios regarding the onset of Trump’s America being bandied about by many artists – a majority of whom are obviously liberal – a rare, commonly held bright spot in this darkness is the promise that at the very least some amazing art will be created in response to the years ahead. Very few have ever countered the quasi-adage ‘misery inspires better art than happiness’ for a reason.

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THE BRAND NEW TESTAMENT (CC): And When I Meet God, I’m ‘a Compel Him to Include Women in the Sequel

The Brand New Testament may have one of the best premises of any movie this year, especially due to how deftly it justifies the need for more diverse creators in all artistic worlds. 

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