Wes Anderson’s The Wonderful Story of Henry Sugar = Elevator Repair Service’s Gatz.
Continue reading “Audiovisualbook”
Wes Anderson’s The Wonderful Story of Henry Sugar = Elevator Repair Service’s Gatz.
Continue reading “Audiovisualbook”
Leo: Bloody Sweet is a Kollywoodified remake of David Cronenberg’s A History of Violence.
Continue reading “Bloody Sweet, Indeed”
My Love Affair with Marriage is Inside Out for adults.
Continue reading “Inside Marriage Out”
Prediction: theater historians will remember the 21st century for the mass dissemination of filmed productions.
Continue reading “Lost or Gained in Translation”
Cinema tends to be blamed for modern society’s desensitization to violence.
Continue reading “Where Violence Lurks”
Nyad debuts Jimmy Chin and Elizabeth Chai Vasarhelyi as non-documentary filmmakers, with through-lines to their prior work that are starting to feel like burgeoning auteur trademarks.
Continue reading “Chin & Vasarhelyi”
21st century cinema is inundated with bio-docs and bio-pics.
Continue reading “Nybrid”What’s the Venn-diagram overlap between Taylor Mac stans and IFC Centerians?
Continue reading “Dazzled”
Why are musical composers obsessed with the phrase “love is love”?
Continue reading “Satirical Love is . . . ?”
This year’s New York Film Festival were two of the strongest moviegoing weeks of my life.
Continue reading “NYFF Improvements”