The Curse achieves what I like to call Infinite Interpretability.
Continue reading “Everything is Nothing, Nothing is Everything”
The Curse achieves what I like to call Infinite Interpretability.
Continue reading “Everything is Nothing, Nothing is Everything”
Remember the slew of new documentaries — and May December — that explore what happens to someone’s personal life when artists come to town to adapt their existence into art?
Continue reading “Cursive”
There’s an art to making music.
Continue reading “The Music of Making Music”
Back in November of 2022, Write All Nite published a list of the thespians next in line to play Mama Rose.
Continue reading “Gypsy Waitlist, Updated”
Not to gamify art. . .
Continue reading “MVTH”
Consistent movie-theater-goers know that spotty presentation is a ubiquitous problem.
Continue reading “Turnt”Stop me if you’ve heard this one before:
Continue reading “Migration from Migration”
Warning: spoilers alert ahead for Shayda, Australia’s shortlist-rejected submission to this year’s Academy Award for Best International Feature, to be released in March.
Continue reading “Ask and Me Shall Receive”
Both the new movie The Iron Claw and the new TV series The Curse share a distinct cinematographic trait:
Continue reading “The Iron Curse”
If you want to sell out an off-Broadway show, cast Will Brill.
Continue reading “Brillophonic”