The Christophers is a Steven Soderbergh C-side.
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Author: Steven Strauss
Move Away
The Balusters is about the changing of cultural identity.
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Billie Finn
No one told me that Flaccid Jim used HFR to shoot Billie Eilish: Hit Me Hard and Soft?!
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Mirror Mirror
Three 2026 productions open themselves to different interpretations based on whether you recognize their directors on stage.
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Fizzled
Either both of Fuze’s New York theatrical engagements happen to be plagued with the same sound problems, or the mix itself is so bad that it renders the rest of this new movie basically impossible to evaluate.
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Choir Praxis
A specific moment in Cold War Choir Practice functions as a testament to its artistic finesse, and doubles as a metaphor for one of this new play’s primary themes.
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Did You Hear That
Straight-to-steaming movies are a dime a dozen nowadays, a trend that has given rise to a more novel phenomenon:
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Ring Dong
Biodocs oscillate between two registers:
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Putting the Ex in Deus Ex Machina
Fallen Angels’ Maurice feels designed to be cast as a celebrity cameo.
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No Small Parts
There’s a meaningful disparity between Taraji P. Henson’s fame relative to the rest of her Joe Turner’s Come and Gone ensemble, and the size of her role.
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