What’s up with Ireland at the Academy Awards this season?
Continue reading “Bannerland”
What’s up with Ireland at the Academy Awards this season?
Continue reading “Bannerland”
Further proof that my brain’s broke:
Continue reading “The Killing of My Dear Sanity”
Cinema documents eras.
Continue reading “Zo-om”
Writing about art is a quest to objectify the subjective.
Continue reading “Lessons in Chemistry”
Is Broadway history happening in Manhattan this season?
Continue reading “Plural for a Reason”
You’ve just crossed over into the reductive zone.
Continue reading “The Mediums Are The Message”
A postscript to my screed on original songs appearing in opening credits:
Continue reading “P.S. Fight. The. Power.”
The Son and Knock at the Cabin seem to agree with one of my core artistic tenets:
Continue reading “Boogie”
There are two types of people in this world:
Continue reading “Living Rent-Free”
On a ranked list of the Academy Awards’ litany of (insignificant) sins, the dominance of closing-credit songs over the Best Song Category is at the tippy-top of my own personal grievances.
Continue reading “Maybe You Don’t?”