One of Joe Pesci’s two scenes in Day of the Fight utilizes the audience’s familiarity with his oeuvre to make us feel the protagonist’s plight.
Continue reading “Cameo Joe”
One of Joe Pesci’s two scenes in Day of the Fight utilizes the audience’s familiarity with his oeuvre to make us feel the protagonist’s plight.
Continue reading “Cameo Joe”
It Ends with Us is back in the headlines, for reasons having almost nothing to do with what’s in the movie.
Continue reading “It Ends with Them”
A New Kind of Wilderness is basically a documentary sequel to Captain Fantastic.
Continue reading “A Sequel Kind of Documentary”
Bird challenges societal dogma.
Continue reading “Cuckoo”
Cillian Murphy, humanist actor.
Continue reading “Small for Small”
When a movie/play is about a sizable family gathering, you can count on early conversations being rife with exposition clearly mapping out their family tree.
Continue reading “Guess Who”
Casting recognizable actors in undersized roles can meaningfully dupe audience expectations.
Continue reading “Heretical”
An unexpectedly abrupt ending can prompt consideration of why the story concludes on such a surprisingly unresolved note.
Continue reading “From Small Things”
To show or not to show, that is a fundamental question of storytelling.
Continue reading “Show and Skip”
The Best Christmas Pageant Ever is an allegory about the social relations between a Christian majority and a Jewish minority.
Continue reading “Allegory Pageantry”