Damn near every year brings yet another installment in the age-old critical debate regarding how to define a horror movie.
Damn near every year brings yet another installment in the age-old critical debate regarding how to define a horror movie.
Nobody should be fooled by Nobody’s Fool’s marketing campaign.
Mid90s falls in the unfortunate middle ground between what an artist thinks will be cinematically cool, and what’s actually cinematic, and cinematically well-executed.
Below are some imperfect comparisons between artists across space, time, and mediums.
Given renewed tensions between America and Russia, I’ve been waiting for the inevitable revival of the Cold War thrillers that dominated multiplexes throughout the latter half of the 20th century.
By this point, you probably know whether you’re a fan of Rowan Atkinson’s shtick.
Either you’re a movie star, or you’re not.
The latest in a recent string of cinematic explorations regarding the relationship between the police and the policed comes from an unlikely source: Denmark.
Blaze is most interesting, perhaps ONLY interesting, when contextualized within Ethan Hawke’s topsy-turvy career.