Dear Lord Novitiate is a bore.
2017 Rewind: CHASING CORAL (Jeff Orlowski)
As Academy Awards season commences, I’ll be revisiting possible contenders from the past year that I’ve missed. Since the Oscars recently announced the 15 shortlisted full-length documentaries – five of which will eventually be formally nominated – I’m beginning by catching up with those.
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LONELY PLANET (Keen Company)
The Keen Company’s revival of Steven Dietz’s Lonely Planet plays like a thematic mashup between Edward Albee’s Who’s Afraid of Virginia Woolf? and Samuel Beckett’s Waiting for Godot. They explore the complexly nuanced relationships between storytelling, companionship, and dealing with life’s hard truths.
OFFICE HOUR (Public Theater)
Since I attended the final performance of the Public Theater’s production of Julia Cho’s Office Hour, I figured it wouldn’t behoove me to write about it, even though I think it’s one of the most vital plays of the season.
MURDERers’ Row ON THE ORIENT EXPRESS
Like a true disciple of Shakespeare, Kenneth Branagh understands the crucial importance of casting every role in an ensemble with top-tier talent.
The Worst of the Bests
Write All Nite will not be conforming to the recent trend of every outlet in the world releasing their “Top 10 ____ of 2017” lists IN EARLY DECEMBER, for a variety of reasons.
QUALITY CONTROL: CONTROL THE STREETS, VOL. 1
The tongue-twister that is Quality Control’s Quality Control: Control the Streets, Vol 1 is as repetitive as its title.
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REPUTATION (Taylor Swift)
Here’s the thing about Taylor Swift:
SYRE (Jaden Smith)
Jaden Smith’s Syre is nepotism at its finest.
NO DOPE ON SUNDAYS (Cyhi The Prynce)
Cyhi The Prynce’s No Dope on Sundays features raw, relentless rap, unencumbered by the modern plague of overproduction.
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