Projections are a necessary evil in the theater world.
Continue reading “Once Upon a (good?!) Projection”
Projections are a necessary evil in the theater world.
Continue reading “Once Upon a (good?!) Projection”
When an uber fan wants to preach the gospel of Broadway, they tend to focus on the best shows Broadway has to offer.
Continue reading “Mr. Every Night”
About 30 minutes into Breaking, a realization dawned on your boy:
Continue reading “Staging”
Macbitches wrestles with the always-zeitgeisty question of whether art that depicts immorality leads to a perpetuation of that depicted immorality outside of art, for audiences and the participating artists alike.
Continue reading “Life’s A Bitch. Art’s A Bitch. Related?”
An unresearched, armchair, modern history of what I like to call the afterture, or: when the end of the plot isn’t the end of the musical.
Continue reading “Aftertures”
Perv alert:
Continue reading “More Life”
A character’s absence in a play can say more than if they strutted and talked across the boards for its entire duration.
Continue reading “Continuity By Discontinuation”
By definition, a production’s sound design is meant to be heard.
Continue reading “What’s That Sound (Design)”
When American theatergoers first visit London, they tend to report back on one crucial difference:
Continue reading “& No Song List”
On average, plays are talky as fuck.
Continue reading “The Goold Standard”