A production is not confined to the confines of its stage.
Continue reading “The Satire is Coming from Outside the House”
A production is not confined to the confines of its stage.
Continue reading “The Satire is Coming from Outside the House”
Revisiting A Christmas Carol on Broadway made me realize a detail I missed regarding its generational stagecraft:
Continue reading “P.S. In the Beginning…”
Theater is a localized art form.
Continue reading “Straight Line”
While we’re on the topic of actorly attributes that contribute to a thoroughly-embodied performance:
Continue reading “Between Truth and Artifice”
While we’re on the topic of looking as acting, and acting as looking:
Continue reading “Samuel L. Parsons”
While we’re on the topic of generational stagecraft:
Continue reading “Crafting the Stage”
The current Broadway production of A Christmas Carol utilizes different generations of stagecraft to bring this centuries-old tale back to life.
Continue reading “Ghosts of Stagecraft PastPresentFuture”
Sometimes, a movie adaptation of a play makes you realize new dimensions to a seemingly straightforward moment of stagecraft in the original production.
Continue reading “WWTD”
Here’s the thing about symbolic stagecraft, and really all artistic symbolism:
Continue reading “Duplicitous Multiplicity”
What’s the difference between watching a seance on a stage and watching a seance in “real” life?
Continue reading “Unblockable Blocking”