Enlisting an esteemed cavalcade of underground DJs to put their spins on Paul Simon’s music is the sort of genre merging of personally-beloved old and new that would seem cater-made for yours truly.
Enlisting an esteemed cavalcade of underground DJs to put their spins on Paul Simon’s music is the sort of genre merging of personally-beloved old and new that would seem cater-made for yours truly.
Write All Nite rarely covers soundtracks.
Unfortunately, I cannot pronounce a Single nor a Tinkle of the Week.
On the docket this week:
Liza Birkenmeier’s The Hollower exemplifies a new playwright in desperate need of a dramaturg to focus her wild and wildly-dissonant ideas into a cohesive whole.
A different format this week, because there are a few singles of varying quality worth discussing for a myriad of reasons.
Dear Royalty of the Stage and Screen:
Continue reading “LONG DAY’S JOURNEY INTO the Same Boring Revivals”
Before delving into this week’s albums, let’s take a second to discuss the latest work by Kevin Gates and G-Eazy, which are too brief to consider full albums but are still worth a mention:
Time for some CYA: