In yesterday’s Drake-filled post, I promised to explain why I felt the need to qualify labeling his new two-song Scary Hours as an “EP.”
Author: Steven Strauss
SCARY HOURS (Drake)
In the scary hours of Friday night — AKA after midnight, technically Saturday morning — Drake released his new “EP” (an explanation for those quotes coming at a later date) Scary Hours, which basically continues More Life’s brand of groove over two more songs.
THE GREATEST SHOWMAN (Michael Gracey)
Starting a review of the relentlessly fluffy The Greatest Showman with a topic as serious as authorial intent may be unexpected, but that’s kind of the point:
MandaTony
Hot take: Every production that plays on Broadway for an extended period of time should be REQUIRED to provide tickets to Tony Awards voters.
The SpongeBob SquarePapers: Books
Sometimes fascinating failures inspire more thoughts to explore than straightforward successes. Such is the case for the SpongeBob SquarePants Broadway musical, a show that indirectly touches upon a wide range of subjects regarding the state of theatre (and other topics). In the coming days, I’ll excavate some of these ideas in a series dubbed The SpongeBob SquarePapers:
The SpongeBob SquarePapers: Orchestras
Sometimes fascinating failures inspire more thoughts to explore than straightforward successes. Such is the case for the SpongeBob SquarePants Broadway musical, a show that indirectly touches upon a wide range of subjects regarding the state of theatre (and other topics). In the coming days, I’ll excavate some of these ideas in a series dubbed The SpongeBob SquarePapers:
The SpongeBob SquarePapers: Marijuana
Sometimes fascinating failures inspire more thoughts to explore than straightforward successes. Such is the case for the SpongeBob SquarePants Broadway musical, a show that indirectly touches upon a wide range of subjects regarding the state of theatre (and other topics). In the coming days, I’ll excavate some of these ideas in a series dubbed The SpongeBob SquarePapers:
The SpongeBob SquarePapers: Scores
Sometimes fascinating failures inspire more thoughts to explore than straightforward successes. Such is the case for the SpongeBob SquarePants Broadway musical, a show that indirectly touches upon a wide range of subjects regarding the state of theatre (and other topics). In the coming days, I’ll excavate some of these ideas in a series dubbed The SpongeBob SquarePapers:
Barrow Street Becomes Ars Nova
Ars Nova taking over the Barrow Street Theatre is phenomenal news.
ALL THE MONEY IN THE WORLD (Ridley Scott)
How can Ridley Scott clown on Blade Runner 2049 for being too long when his All the Money in the World is also too long?
Continue reading “ALL THE MONEY IN THE WORLD (Ridley Scott)”
