Alexandre O. Philippe and Mark Cousins are leading the charge on video essays about film.
Continue reading “Philippe/Cousins”
The Wrath of Stifler
Typecasting can be a double-edged sword.
Continue reading “The Wrath of Stifler”
From Will to Mel
A wrinkle in yesterday’s ode to open-caption performances presents itself when dealing with writing that deliberately chooses a word that could be spelled in multiple ways.
Continue reading “From Will to Mel”
Accessible Clarification Clarifies Accessibility
Does anyone else find it difficult to decipher every word sung in a musical?
Continue reading “Accessible Clarification Clarifies Accessibility”
Hottest Toddy
Remember when I was worried that Roundabout would fail to properly memorialize the legacy of their dearly departed honcho?
Continue reading “Hottest Toddy”
You Hurt My Franzen
While we’re on the subject of You Hurt My Feelings:
Continue reading “You Hurt My Franzen”
Ha? Ha!
The defender of the theatrical experience has logged back on (I never log off).
Continue reading “Ha? Ha!”
PSR
A public service request for the IFC Center:
Continue reading “PSR”
TLDW: Summer, 1976
Broadway’s Summer, 1976 crisscrosses with a myriad of other art from this past year (and beyond), at least in a TLDW sort of way:
Continue reading “TLDW: Summer, 1976”
The Little Aid
While we’re on the subject of natural vs. microphoned voice projection, a horrifying thought occurred to me while suffering through The Little Mermaid:
Continue reading “The Little Aid”
