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Great Big Time

On March 2, 2022March 6, 2022 By Steven StraussIn Boogaloo Down BROADWAYLeave a comment

The meaning of a piece of art can change with the times. 

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Individual 

On March 1, 2022March 2, 2022 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

By definition, art is representative. 

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Owwww

On February 28, 2022February 28, 2022 By Steven StraussIn Look Over Yonder See Them OFF-BROADWAY LightsLeave a comment

A play’s dramaturgy often serves to make the audience’s viewing experience reflect what the characters’ lived experience feels like.

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Uncatchable

On February 25, 2022March 4, 2022 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Catch the Fair One mashes together the narrative formulas of two genres to convey the nature of systemic dehumanization.

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Versus

On February 24, 2022February 25, 2022 By Steven StraussIn If You Can't Make It Here, Make It Anywhere Else, Look Over Yonder See Them OFF-BROADWAY LightsLeave a comment

Seems noteworthy:

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Bad for Good

On February 23, 2022February 23, 2022 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

When someone says CGI is “good”, by “good”, they usually mean “it looks real.”

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Accentuated

On February 22, 2022February 22, 2022 By Steven StraussIn Look Over Yonder See Them OFF-BROADWAY Lights, Remember All the Movies, Terry, We'd Go SeeLeave a comment

I’m a card-carrying member of the “actors, get over your obsession with accents” club.

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Colons for a Cinematic Colonoscopy

On February 17, 2022February 17, 2022 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

MEANINGLESS/FULL OVERLAPS GALORE!!!

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Merry Me

On February 16, 2022February 17, 2022 By Steven StraussIn Remember All the Movies, Terry, We'd Go SeeLeave a comment

Coincidence, or something more?

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Don’t Tell Me

On February 15, 2022February 15, 2022 By Steven StraussIn Boogaloo Down BROADWAY, Remember All the Movies, Terry, We'd Go SeeLeave a comment

The theme of Friday’s thoughts: when an introductory text acts as a framework through which the art can be interpreted.

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