Who am I to tell Quentin Tarantino what to do?
Continue reading “Stuck in the Warehouse with You”
Who am I to tell Quentin Tarantino what to do?
Continue reading “Stuck in the Warehouse with You”
Filmmaker Kelly Reichardt is to Oregon / the Pacific Northwest and film what playwright Samuel D. Hunter is to Idaho and live theater.
Continue reading “Reichardt Retrospective Rankings”
I miss live theatre.
Continue reading “Come Back, Little Showtunes”
Allow me — and The Prom — to reintroduce a formal concept that neither one of us first introduced to the world: the Act One Fake-Out Anthem.
Continue reading “Act-One Fake-Out Anthem”
Hypothesize and ye shall receive.
Seriously, what were y’all doing in the ’80s:
How do you solve a problem like this year’s Pulitzer Prize for Drama?
Look what waltzed across the ticker this morning:
A double feature where the connections between the pieces of art are too numerous and incidental to justify elucidating, but still amusing for the seven of us who’ve seen both: