Some stray musings from my recent moviegoing rovings (and ravings):
Continue reading “Rounding Up”
Some stray musings from my recent moviegoing rovings (and ravings):
Continue reading “Rounding Up”
Remember when I wrote about how we can sometimes track a musical’s primary story through its utilization of a conventional two-act structure, specifically the self-dubbed Act One Fake-Out Anthem?
Continue reading “Another Fake-Out”
Warning: I’m no expert on novelizations.
Continue reading “Once Upon a Novel”
Back to my favorite gimmick: imagined double features!
Continue reading “Double Features”
Aaaaaand here’s my comeuppance for deigning to discuss Quentin Tarantino news/rumors.
Continue reading “Crooked from the Horse’s Mouth”
Who am I to tell Quentin Tarantino what to do?
Continue reading “Stuck in the Warehouse with You”
Filmmaker Kelly Reichardt is to Oregon / the Pacific Northwest and film what playwright Samuel D. Hunter is to Idaho and live theater.
Continue reading “Reichardt Retrospective Rankings”
I miss live theatre.
Continue reading “Come Back, Little Showtunes”
Allow me — and The Prom — to reintroduce a formal concept that neither one of us first introduced to the world: the Act One Fake-Out Anthem.
Continue reading “Act-One Fake-Out Anthem”