SELL/BUY/DATE (Mtc): Docu-Dramas; less of the former, more of the latter please

Anyone familiar with Sarah Jones probably knows her as an expert monologist, a performer capable of not merely playing but quite literally inhabiting various characters from ALL walks of life, regardless of age, race, ethnicity, gender, sexuality, or any of the other facets of personal identity.

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THE PENITENT (Atlantic): Dude, Where’s My *Fucking* Mamet? (Tweet-of-Consciousness)

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MAN FROM NEBRASKA (Second Stage): Rapturously Sculpting Our Rapture (Tweet-of-Consciousness)

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Theatre Roundup (Tweet-of-Consciousness)

THIS WEEK’S LINEUP
Bull in a China Shop (LCT3)
Dear Evan Hansen (Broadway)
Escaped Alone (BAM)
THE GABRIELS: Election Year in the Life of One Family (Public)
Hamilton (Broadway)
Natasha, Pierre & The Great Comet of 1812 (Broadway)
The Object Lesson (NYTW)
The Present (Broadway)
The Strange Undoing of Prudencia Hart (McKittrick)
Sunday in the Park with George (Broadway)
Tell Hector I Miss Him (Atlantic)

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HUNDRED DAYS (The Bengsons; The Public Theater’s Under the Radar Festival) – Tweet of Consciousness

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Tweet of Consciousness: Weekend News Roundup

News regarding Escape to Margaritaville; Sweat; Hamilton in London’s quest to stop scalpers/touts; the Stuttering Association for the Young (and Bruce Springsteen, kinda); the Ambassador Theatre Group/Colonial Theatre; and the Nassau Coliseum:

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THE BABYLON LINE After Line After Line After Line After Line After Line After

What follows is a pithy textual representation of The Babylon Line, Richard Greenberg’s oh-so Greenberg-ian new play currently running at Lincoln Center’s off-Broadway Mitzi E. Newhouse Theater through January 22:[1]

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