News news news news news news news news news news news news: Continue reading “News Roundup”
News news news news news news news news news news news news: Continue reading “News Roundup”
Another round of news:
Back when I was but a wee theatre-loving lad growing up in San Diego (quite a good theatre city in its own right), I periodically shlepped up to Los Angeles for a few productions of interest every year.
Continue reading “Tom Hanks, Shakespeare, the Los Angeles Theatre Scene, and a Top 10 List”
It’s time once more for the newsiest news in theatre and film from the past week:
Jim Parsons will star in the film adaptation of Mathew Lopez’s play The Legend of Georgia McBride, which played New York City’s MCC Theater in 2015 before being produced at countless regional theatres elsewhere.
There’s been a lot of recent theatre news fit to print responses to. You know what that means: Time for another theatre news roundup!
Criticizing the work of notoriously esoteric writer Mac Wellman for being too incomprehensible may sound like I’m missing the point entirely.
Continue reading “A CHRONICLE OF THE MADNESS OF SMALL WORLDS (NYTW)”
Critics almost always write about art; art is almost never about critics.
This season marks the inaugural year of Next Door at NYTW, an acronym that stands for New York Theatre Workshop. As the moniker suggests, this venerable off-Broadway institution recently opened another black-box theatre — where else — next door to their longtime hub in the East Village.
Write All Nite‘s 2018 New Year’s resolution: evaluate how marijuana is depicted in movies and theatre. For instance, I’ll praise portrayals that view smoking weed as a cognitive stimulant, and I’ll lambast those that regurgitate tired tropes about stoners. Light one up, baby!
Continue reading “Weed in Art 2018: 20TH CENTURY BLUES (Signature Center)”