Triple feature Dear Comrades!, Quo vadis, Aida? and La Llorona for an International-shortlisted cinematic smorgasbord about the maternal interplay between the personal and the political, specifically when the political becomes familially personified.
Continue reading “International Triplet”
Letterboxd has got me in an anecdotal mood; regarding The World to Come:
Continue reading “The World to Boxd”
Here’s a taste of the bite-sized tastes to be had on my Letterboxd:
Continue reading “A Boxd Clip Show”
Readers of Write All Nite now have a second place to find my musings on all things film: Letterboxd.
Continue reading “Letterboxd”
How to quantify one’s own perception of truth in art?
Continue reading “MnM”
John David Washington’s turns in 2018’s BlacKkKlansman and this year’s Tenet feel like companion pieces performances, and the relationship between them can be summarized in modern parlance by this gif:
My epiphany occurred a few minutes before his.
Continue reading “Sound of Epiphany”
Today’s topic: oversights — two for me, and one for the casual moviegoing (or, this year, moviestaying) public at large.
Continue reading “21st Century Best Pictures — 2020”
A short one for you this afternoon.
Continue reading “Mount Yucksmore”
Is 1953’s big-screen version of The War of the Worlds the third most famous adaptation of H.G. Wells’ classic?
Continue reading “To Put It Another Way”
Write All Nite 