Hello, it me, pretend film-programmer, here with a hypothetical triple feature built around Midsommar:
Hello, it me, pretend film-programmer, here with a hypothetical triple feature built around Midsommar:
The Dead Don’t Die, The Chambermaid, Dark Phoenix, Euphoria, and Whatever the Fuck the “New” Annabelle’s Called:
Since I’m in a ranking mood, and since any self-respecting millennial critic worth their weight in plastic ABSOLUTELY MUST share a personal Pixar preference list every time the perennially-prolific studio releases ANOTHER ONE (yay, Toy Story 4!), voila:
When analyzed together, a handful of movies released in May take viewers on a trek from the political to the metaphysical.
Four movies, three one-liners, and one discursive paragraph:
Will 2019 be remembered as the dawning of the Climate Movie Epoch?
Pair The Third Wife with Working Woman in a “trapped by the patriarchy” double feature of 2019 theatrical releases.
How many years has it been since we last saw Johnny Depp’s mug, up on that big screen, unvarnished underneath gobs of Hollywood effects–from practical makeup to CGI spectacle?