First and foremost, an album must be cohesive.
Single(s) of the Week
If you have an aversion to reading the word shit, tread no further here.
HANNAH (Andrea Pallaoro)
With Hannah, Charlotte Rampling further cements herself as the Queen of wordlessly-anguished loneliness.
Revision Vision: A QUIET PLACE
If A Quiet Place was a play, I would say it’s in desperate need of a dramaturg to devise richer dramatic manifestations of the aural concept.
This Week in Music
I got around to only two albums this week, one great and one…not so great:
An “Original” Postscript
I concluded my recent post about expanding our conception of artistic originality by quoting, gulp, Kanye West.
Sound Hound
Back in 2016, there was a concert performance of Ragtime inside the Registry Room on Ellis Island.
The Theatricality of Reality’s Surreality
In case yesterday’s esotericism didn’t make this clear, let me state simply for the record: Steven Soderbergh’s Unsane is my favorite movie of 2018 thus far.
Continue reading “The Theatricality of Reality’s Surreality”
The Surreality of Reality
Steven Soderbergh’s Unsane is a Kafka-esque, capitalist nightmare for the iPhone age, injected with Brechtian aesthetics to convey the 21st century’s pervasive, conflicting distortions of reality sitting in our pockets every day.
